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Book Signing in Los Angeles – Los Angeles Steamship Company – Interview with author about a cruise line the LA Times Chandler family helped start.

Cruise Line History – Harry Chandler built the Los Angeles Times into arguably the most powerful and successful newspaper on the West Coast.   He also was instrumental in starting the Los Angeles Steamship Company in the 1920s to rival San Francisco’s Matson Lines. A wonderful new book tells the story.

Los Angeles photographer Martin Cox grew up in the south of England, half a world away from California. But as a teenager he read about an obscure L.A. institution and a bit history that for some reason he was never able to forget: The Los Angeles Steamship Company.

The LASSCO steamships began to ferry passengers between Los Angeles and Honolulu during the roaring 1920 in smaller and less refined vessels than today’s massive cruise ships. But Cox was surprised when, after moving to Los Angeles as an adult, no one seemed to know what he was talking about when he mentioned the steamship company and its fleet of ships, some of which had a habit of getting into trouble as well as into Hollywood films.

The Los Angeles Times or other bios don’t mention Harry Chandler’s strong association with LASSCO and the publisher’s involvement in organizaing the steamship line.

So, Cox, a 40-something commercial photographer, set out to find out more about the shipping line, a years-long adventure that resulted in a book he co-authored with Gordon Ghareeb, “Hollywood to Honolulu – The Story of the Los Angeles Steamship Company.” Cox will be reading about the book during an appearance this Sunday at Skylight Books in Los Angeles.

Cox’s obsession with the defunct steamship company has also lead him to start a shipping website and to collect more than a 1,000 photos and hundreds of pieces of LASSCO memorabilia, from passenger lists to the ship’s china adorned with poppy and hibiscus blooms – the state flowers of California and Hawaii. But for all his interest in nautical history, Cox rarely travels by water. He gets terribly seasick.

Read more about the book signing and interview with Martin Cox in the LA Eastsider by clicking here.

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The Lurline “was” Hawaii!

Maston Line’s SS LURLINE was advertised as: “The Lurline is Hawaii!”

SS Lurline was the third Matson vessel to hold that name and the last of four fast and luxurious ocean liners that Matson built for the Hawaii and Australasia runs from the West Coast of the United States. Lurlines sister ships were SS Malolo, SS Mariposa and SS Monterey. As USAT Lurline (aka USS Lurline), she served as a troopship in World War II.

Rechristened in 1963 by Chandris Lines as the MS Ellinis, the ship became one of the most important luxury cruise ships on the Australian and New Zealand services. She operated in Australasia and Oceania until 1980.

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Just a long weekend away – Aboard the SS United States or SS America

Cruising the past.  Just a long weekend away – Aboard the SS United States or SS America – During the heyday of trans-Atlantic travel in the 1950s – before the Jet made “getting there” what it is today!   A living nightmare.

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The Legendary Super Chief, Flagship Of The Santa Fe – Train of the Stars!

Cruising The Past welcomes you aboard the legendary Santa Fe Super Chief – the train of the stars.  Extra Fare – All Pullman Streamliner.


She came on the Super Chief.

One reason that the Santa Fe became such a famous railroad was because of its flagship passenger train, the Super Chief (and, the railroad also claimed the most streamliners in operation at one time).

The train quickly eclipsed its rivals (including its own cousin, the Chief) as the premier train to the Southwest and became so popular that it was the transportation choice of many Hollywood celebrities from the late 1930s through the 1960s.

It was also the Super Chief that inspired Santa Fe’s classic “Warbonnet” livery that is arguably the most beautiful paint scheme ever to be applied to a passenger train. Today, the Super Chief carriers on under the Amtrak banner although its one-of-a-kind paint scheme and interior designs are relegated to history.

Interestingly, the Super Chief came about because of necessity. With the Union Pacific having launched its new streamlined City of Los Angeles in 1936 the Santa Fe needed to launch its own competing premier train between Los Angeles and Chicago.

Having a direct route to the two cities (unlike the UP which had to hand off the train to the Southern Pacific to reach Los Angeles and Chicago & North Western to reach Chicago) gave the Santa Fe a distinct advantage although its first version of the Super Chief, while well planned, was not really up to par with the City of Los Angeles in that it was not streamlined and used standard heavyweight equipment.

Knowing it needed something better the Santa Fe with the help of the Budd Company, introduced the all new streamlined Super Chief in May of 1937. What resulted was a passenger train unrivaled in style, design, and luxury.

Super Chief Pullman Drawing Room – By day and by night.

Part of the train’s phenomenal success was its appeal and character. In designing the new Super Chief the Santa Fe wanted not only a contemporary passenger train but also one that reflected the railroad’s long-held relationship with Native American’s of the Southwest. To style the new Super Chief the train had an entire staff of designers, which quickly set to work bringing the soon-to-be legend to life.

Industrial designer Sterling McDonald created the train’s classic interior Indian designs and themes. Whenever possible McDonald used authentic Native American (many of which depicted the Navajo) colors (such as turquoise and copper), patterns, and even authentic murals and paintings in the train. He used a combination of rare and exotic woods like ebony, teak, satinwood, bubinga, maccassar, and ribbon primavera for trim through the train giving the Super Chief an added touch of one-of-a-kind elegance.

Everything inside the train exuded the Native American culture and way of life. However, the Super Chief’s livery also conveyed this, if not to an even greater degree.

The train’s now-classic “Warbonnet” paint scheme was actually designed by General Motors’ artist Leland Knickerbocker. Knickbocker’s livery featured gleaming stainless steel with the front half of the locomotive painted in red crimson, wrapping around the cab and trailing off along the bottom of the carbody with a Native American-inspired design (a design that would go on to distinguish the Santa Fe) used on the front of the nose with “Santa Fe” flanking the center.

For trim golden yellow and black was used. As Knickerbocker put it the design was meant to convey an Indian head with trailing feathers of a warbonnet (thus where the livery derived its now-famous name).

The locomotive that powered this new train was General Motor’s EMD EA model, a streamlined and completely self-contained diesel locomotive that handsomely matched the new Budd-built cars (themselves clad entirely in stainless steel giving the train a gleaming, “new” look).

For the most part the Super Chief remained quite popular through the 1950s. In 1951 it was reequipped for the final time featuring the Pleasure Dome lounge that included dome viewing, a cocktail lounge, and the famed Turquoise Room used for dinner parties. However, none of the upgraded equipment matched the exquisite beauty of the original Super Chief cars.

As the 1960s dawned, and as with the passenger rail industry itself, the Santa Fe found its fleet likewise in decline as passengers took to their private automobiles or the skies for faster and more convenient modes of transportation. However, unlike most other railroads which let their service slip and trains run down, the Super Chief remained an on-time, clean and regal operation right up until the end when Amtrak took over most intercity passenger rail operations in the spring of 1971.

While the Santa Fe, perhaps reluctantly, handed over its illustrious flagship to Amtrak at least the railroad could take comfort in knowing that the Super Chief, while nothing near as plush as when it was privately operated, was one of the routes retained by the national carrier and continues to be operated to this day as one of Amtrak’s most esteemed trains (although it is now known as the Southwest Chief).

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ALASKA CRUISE VIDEO – 1954 – $9.00 PER DAY

1954 ALASKA CRUISE from CRUISINGTHEPAST.COM on Vimeo.

ALASKA CRUISE – 1954 – $9.00 PER DAY. Cruising The Past presents an historical video of a 1954 sailing aboard the SS ALASKA on a cruise to Alaska and the Inside Passage. A retro 50s look at a style of cruising and travel now vanished. Views of the ship leaving the Port of Seattle, with streamers, confetti and visitors waving goodbye – something rarely seen today. See the ship sail up the inside passage… with passengers dancing, dining, playing shuffleboard and man nostalgic scenes of an Alaska steamship far different from the massive ships sailing the Inland Passage today. The Alaska Steamship Company operated passenger service from Seattle to all ports in Alaska from 1895 until 1954. During the summer weekly sailings visited the Inside Passage. The line challenged all kinds of winter conditions and operated year round offering regular sailings as far north as Nome. These are family films and footage taken during the 1920s through the 1950s.

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SS France Eastbound – SS Liberte Westbound

Cruising The Past takes you aboard the SS France and SS Liberte.  Great cruise ship history – with videos of the French Line ships. 1950s trans-Atlantic glory.  When going by ship was a joy – with class and grace.  Enjoy these gorgeous full color home movies shot by a lucky couple who traveled on the SS France Eastbound, and the SS Liberte Westbound, here combined to suggest a mythical time when such a trip might have been possible. Bon Voyage!

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Website of the Month: Maritime Matters

Website of the Month: Maritime Matters

Martin Cox presents a terrific website.  Cruising The Past is pleased to feature it as a our website of the month.  Martin covers maritime history along with contemporary cruising.  You will read about… Cruise ships, ocean liners, cruise ship news, shipping news, live blogs from onboard cruise ships and thousands of photographs of cruise ships and liners and other vessels. Established online since 1997, Maritime Matters presents articles on historic, preserved and contemporary cruise ships, ocean liners, and personal travel memoirs, along with links to maritime businesses, maritime museums, and cruise ship cams. New features include Peter Knego’s Sea Treks series and his deck by deck photographic series Decked! and an updated shipping news page.

Click here to visit Maritime Matters.

Martin (with Gordon Ghareeb) recently completed a wonderful book on the Los Angeles Steamship Company.

Hollywood to Honolulu, the story of the Los Angeles Steamship Company, by Martin Cox and Gordon Ghareeb

The Roaring 20s saw many institutions fall by the way side. Flappers, the Charleston and bathtub gin all arrived on the scene and, almost as quickly as they appeared, they dropped out of history. So it was with the shipping line that hailed from Southern California: the Los Angeles Steamship Company.

This once magnificent ocean going operation put its namesake harbor on the map, brought the idea of a glamorous ocean passage into the price range of the newly forming tourist population, and once and for all time branded the vision of a stately white cruise ship gliding effortlessly into a tropical Hawaiian paradise into the mind of the nation.

Martin Cox and Gordon Ghareeb have joined forces and together told a story of glamour, high finance, movie stars and gossip. It’s all here in this 282 page compendium of a world that once was and never will be again. Operated under the aegis of the Chandler publishing family of Los Angeles and the rest of their contemporary Chamber of Commerce associates, the Los Angeles Steamship Company (or LASSCO as it came to be known across the nation) brought to the world the realization that fledgling Los Angeles was coming into its own as a financial, industrial and culturally cosmopolitan crossroads of the country.

Scouring microfilm of virtually every page in the LA Times from 1921 to 1935, Ghareeb and Cox recreate a lost world of a nation riding high on the crest of a military victory from World War I juxtaposed against labor problems, political unrest and an economy gone mad. The entertaining 70,000-word text is augmented by an armada of photographs (largely from private collections) and color reproductions of LASSCO’s elaborate advertisements. This hard-covered time machine brings to life the people, the dreams, and the celebrities of the era all paraded against a backdrop of global, local and cinema-graphic history.

It took the authors fourteen years to piece the story together, configure it into a readable prose, and polish it to perfection. It is a tale as alive today as it was when it happened ninety years ago, due largely to the contribution of family members of the maritime participants depicted for the reader. Piece by piece, the story solidified and is brought to life for those fascinated by LA history, steamship lore and moviedom. This story almost vanished into the footnotes of literature because LASSCO was slowly absorbed by the juggernaut of SF-based Matson Navigation Company.

In less than ten years LASSCO managed to sink half of its passenger fleet. But public confidence continued to propel the entity forward, even to the point of surpassing the number of passengers sailing to the Hawaiian Islands by any other shipping line.

Had not the Great Depression overtaken the world, LASSCO might have very well continued on. This is a great book about a great corporate excursion into uncharted waters. The big gamble to make the Port of Los Angeles a world-class harbor (it worked, the Port of LA is the largest port in the nation today) is a fascinating blend of speculation, hope, determination and undaunted romance. Get it. Read it. And relive a world long gone…

Hollywood to Honolulu, the Story of the Los Angeles Steamship Company. Published by the Steamship Historical Society of America. Printed by Glenncannon Maritime Press 2009.  http://www.glencannon.com/steamships.html
www.glencannon.com

Bios:

Martin Cox

Growing up in Southampton, England he witness the final departure of the QUEEN MARY which left an indelible mark on the young observer. His fascination with liners grew when his former seaman Uncle handed on a large collection of ocean liner photographs. Cox grew up viewing the last gasp of the great British liners entering Southampton in the mid-70s. He completed his Fine Art Bachelor’s degree with honors at Exeter College of Art and Design in Devon before moving to London where Mr. Cox exhibited his black and white photographs. Following exhibitions in San Francisco and New York he moved to Los Angeles in 1990 and began to explore LA’s local passenger ship history. A member of the Steamship Historical Society of America since 1995 – his brief but authoritative history of LASSCO appeared in the Southern California chapter’s “Ocean Times”. Mr. Cox served as president of the Los Angeles Maritime Museum Research Society from 1997 to 1998 and maintains his own website known worldwide as “MaritimeMatters.com”. For a two year stint, Mr. Cox authored the West Coast News for SSHSA’s Steamboat Bill. Working with co-author Gordon Ghareeb, Mr. Cox produced a multi-media exhibition at the Los Angeles Maritime Museum in 2004 on the history of the Los Angeles Steamship Company, aptly entitled Hollywood to Honolulu. Mr. Cox works as a freelance photographer and maintains a commercial studio while exhibits his images in galleries in Los Angeles and elsewhere.

Gordon Ghareeb

Born and raised in the Wilmington district of the Los Angeles Harbor complex, Mr. Ghareeb grew up around and aboard the great postwar Pacific liners. His affinity for ships and the sea was instilled in him at a very early age by his father who had been a bosun’s mate in the South Pacific during World War II. Mr. Ghareeb holds a degree in English Literature and is the co-author of “The Dictionary of Nautical Literacy” published by McGraw Hill in 2001. In addition to being a contributing editor for Nautical World and Ship Aficionado magazines, his maritime work has also appeared in Nautical Collector, Professional Mariner, Ships Monthly, Maritime Matters, Steamboat Bill, and Titanic Commutator. One of the original tour guides aboard the QUEEN MARY when she opened in Long Beach, he joined the SSHSA in 1972 and has been a member of the American Petroleum Institute since 1991. He is currently Vice President of the Port of Long Beach Port Ambassadors Association. Mr. Ghareeb also actively serves aboard the s/s LANE VICTORY as a deck hand and tour guide for the Merchant Marine Veterans of World War II. With co-author Martin Cox, Mr. Ghareeb produced a multi-media exhibit at the Los Angeles Maritime Museum in 2004 extolling the history of the Los Angeles Steamship Company and aptly entitled Hollywood to Honolulu. When time permits he can be found lecturing about LASSCO and narrating guided tours of the Los Angeles and Long Beach harbors.
Among the many tales Cox and Ghareeb uncover is that of LASSCO’s dramatic first venture:

The company’s maiden voyage was a fiscal disaster, but it was a PR coup for LASSCO. Carrying freight and 262 passengers, the ship, the S.S. City of Honolulu, caught fire and sank on her return from Honolulu. Nonetheless, all of the passengers and crew were rescued. A decade after the Titanic went to the bottom, City of Honolulu’s passengers calmly stepped aboard lifeboats while a band played “Yaaka Hula Hickey Dula” and other cheerful tunes. In the lifeboats, they lunched on roast chickens. An Army transport ship the USAT Thomas eventually picked them up and headed for San Francisco. Late at night, they were within sight of the Golden Gate when the ship suddenly turned south: Harry Chandler had been on the phone frantically trying to get his connections in Washington to redirect the ship to dock in Los Angeles. And he succeeded. Instead of slipping into San Francisco, and exposing the Southern California startup as a “sham venture” to the hostile San Francisco media, the ship arrived, (delayed for daylight), to crowds and photographers, limousines for “survivors” – all the trimmings it takes to make a proper media myth – and the regional realities that followed.

At its height, the company had seven passenger vessels, among them the Harvard, Yale, City of Honolulu, Calawaii, City of Los Angeles, and Iroquois, plus a host of freighters. The Los Angeles Steamship Company perished somewhat quietly in the stock market crash of 1929, but not before it had reshaped Los Angeles.

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Cruise History – The Last survivor of “unsinkable” Titanic dies at 97.

Cruise History – The Last survivor of “unsinkable” RMS Titanic dies at 97.

Millvina Dean was the youngest passenger on RMS Titanic, just nine weeks old when she was wrapped in a sack and lowered from the sinking ship into a lifeboat bobbing on the frigid North Atlantic.

Dean lived to become the disaster’s last survivor. She died Sunday at the age of 97 in Southampton, the English port from which her family sailed on the ill-fated liner, intending to begin a new life in the United States.

Dean’s friend Gunter Babler said she died in her sleep at Woodlands Ridge Nursing Home early Sunday, the 98th anniversary of the launch of the ship that was billed as “practically unsinkable.”

Irish writer Don Mullan, who befriended Dean and set up a fund to help pay her nursing-home bills, said she was “one of the most beautiful human beings that I ever met.”

“Her secret for a happy life was a sense of humor and a kind heart and that’s what you experienced when you met Millvina,” he said.

Dean was just over 2 months old when the Titanic hit an iceberg on the night of April 14, 1912. The ship sank in less than three hours.

Dean was one of 706 people — mostly women and children — who survived. Her father was among the 1,517 who died.

Babler, who is head of the Switzerland Titanic Society, said Dean was a “very good friend of very many years.”

“I met her through the Titanic society but she became a friend and I went to see very every month or so,” he said.

The pride of the White Star line, the Titanic had a mahogany-paneled smoking room, a swimming pool and a squash court. But it did not have enough lifeboats for all of its 2,200 passengers and crew.

Dean’s family were steerage passengers emigrating to the United States. Her father had sold his pub and hoped to open a tobacconists’ shop in Kansas City, Missouri, where his wife had relatives.

Initially scheduled to travel on another ship, the family was transferred to the Titanic because of a coal strike. Four days out of port and about 600 kilometers (380 miles) southeast of Newfoundland, the ship hit an iceberg. The impact buckled the Titanic’s hull and sent sea water pouring into six of its supposedly watertight compartments.

Dean said her father’s quick actions saved his family. He felt the ship scrape the iceberg and hustled the family out of its third-class quarters and toward the lifeboat that would take them to safety. “That’s partly what saved us — because he was so quick. Some people thought the ship was unsinkable,” Dean told the British Broadcasting Corp. in 1998.

Wrapped in a sack against the Atlantic chill, Dean was lowered into a lifeboat. Her 2-year-old brother Bertram and her mother Georgette also survived.

“She said goodbye to my father and he said he’d be along later,” Dean said in 2002. “I was put into lifeboat 13. It was a bitterly cold night and eventually we were picked up by the Carpathia.”

The family was taken to New York, then returned to England with other survivors aboard the rescue ship Adriatic. Dean did not know she had been aboard the Titanic until she was 8 years old, when her mother, about to remarry, told her about her father’s death. Her mother, always reticent about the tragedy, died in 1975 at age 95.

Born in London on Feb. 2, 1912, Elizabeth Gladys “Millvina” Dean spent most of her life in Southampton, Titanic’s home port. She never married, and worked as a secretary, retiring in 1972 from an engineering firm.

She moved into a nursing home after breaking her hip about three years ago. She had to sell several Titanic mementos to raise funds, prompting Mullan to set up a fund to subsidize her nursing home fees. Leonardo DiCaprio and Kate Winslet, the stars of the film “Titanic,” pledged their support to the fund last month.

Mullan said proceeds from the fund would now go to lifeboat charities and to help preserve Titanic graves.

For most of her life Dean had no contact with Titanic enthusiasts and rarely spoke about the disaster. Dean said she had seen the 1958 film “A Night to Remember” with other survivors, but found it so upsetting that she declined to watch any other attempts to put the disaster on celluloid, including the 1997 blockbuster “Titanic.”

She began to take part in Titanic-related activities in the 1980s, after the discovery of the ship’s wreck in 1985 sparked renewed interest in the disaster. At a memorial service in England, Dean met a group of American Titanic enthusiasts who invited her to a meeting in the U.S.

She visited Belfast to see where the ship was built, attended Titanic conventions around the world — where she was mobbed by autograph seekers — and participated in radio and television documentaries about the sinking.
Charles Haas, president of the New-Jersey based Titanic International Society, said Dean was happy to talk to children about the Titanic. “She had a soft spot for children,” he said. “I remember watching was little tiny children came over clutching pieces of paper for her to sign. She was very good with them, very warm.”

In 1997, Dean crossed the Atlantic by boat for the first time, on the QEII luxury liner, and finally visited Kansas City, declaring it “so lovely I could stay here five years.” She was active well into her 90s, but missed the commemoration of the 95th anniversary of the disaster in 2007 after breaking her hip.

Dean had no memories of the sinking and said she preferred it that way. “I wouldn’t want to remember, really,” she told The Associated Press in 1997. She opposed attempts to raise the wreck 4,000 meters (13,000 feet) from the sea bed.

“I don’t want them to raise it, I think the other survivors would say exactly the same,” she said in 1997. “That would be horrible.”

The last survivor with memories of the sinking — and the last American survivor — was Lillian Asplund, who was 5 at the time. She died in May 2006 at the age of 99. The second-last survivor, Barbara Joyce West Dainton of Truro, England, died in October 2007 aged 96.

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