Cruise and Air Ship History: The Graf Zeppelin – The first flight of an airship around-the-world. William Randolph Hearst financed the flight in 1929. It took 12 days and 11 hours.

(Click above for Video of the Graf Zeppelin) - In 1929 the Graf Zeppelin left Friedrichshafen to make the first flight round-the-world by an airship. Here’s the complete story of this most famous and memorable trip in the history of air transportation:

The round-the-world flight attempt really began on May 14, 1929 when the Graf departed from Friedrichshafen for its trip to Lakehurst. It didn’t get too far when an engine breakdown forced a landing at Cuers, France. The engine was repaired and the Graf returned to Friedrichshafen.

Mail carried on board the Graf received a one-line cachet reading “Due to mishap the flight was delayed for the first America trip”. It became known as the “Interrupted America Flight.”

The mail was held at Friedrichshafen until August 1, 1929 when the Graf made another attempt to cross the Atlantic for Lakehurst (Leg #0). The delayed mail was backstamped in New York on August 5, 1929.

Lakehurst was to become the official point of origin for the round-the-world trip. William Randolph Hearst had paid $100,000 dollars to finance this round-the-world trip conditioned on it beginning when it passed the Statue of Liberty in New York.

On August 8, 1929 piloted by Dr Hugo Eckener, the Graf departed Lakehurst for its return flight to Friedrichshafen arriving there on August 10th (Leg #1). It carried a crew of forty with twenty two passengers and thousands of pieces of mail. Amongst the passengers were Charles E. Rosendahl (US Navy Commander of the Zeppelin, Los Angeles), Lieutenant Jack Richardson, Lady Grace Drummond Hay (Hearst Press Rep) and Sir Hubert Wilkins (Arctic explorer).

Publisher William Randolph Hearst paid $200,000 for exclusive reporting rights of the Graf Zeppelin's 21-day trip around the world in 1929. The big blimp neither stopped in nor flew over Seattle; still, a world map was attached to the front of the Coliseum Theatre as part of the promotion. So that the pedestrians at Fifth Avenue and Pike Street might be impressed, the lettering for "Seattle" was made larger than for any other city.

Publisher William Randolph Hearst paid $200,000 for exclusive reporting rights of the Graf Zeppelin's 21-day trip around the world in 1929. The big blimp neither stopped in nor flew over Seattle; still, a world map was attached to the front of the Coliseum Theatre as part of the promotion. So that the pedestrians at Fifth Avenue and Pike Street might be impressed, the lettering for "Seattle" was made larger than for any other city.

On August 15th the Graf then left Germany for Kasumigaura Naval Air Station near Tokyo, Japan arriving there on August 18th (Leg #2). On August 23rd the Graf bade farewell to Japan and headed for the United States flying over San Francisco’s Golden Gate Bridge arriving at Los Angeles, California on August 26th (Leg #3). The following day it left LA for Lakehurst, New Jersey arriving there on August 29th (Leg #4). The Graf then returned to Friedrichshafen arriving there on September 4th (Leg #5).

As you can see, the Graf Zeppelin round-the-world trip would be viewed from two perspectives. The Germans saw the round-the-world flight from Friedrichshafen to Friedrichshafen (Leg #2 to Leg #5 – 12 days, 11 hours, 28 minutes flying time).

The Americans would view the same round-the-world flight from Lakehurst to Lakehurst (Leg #1 to Leg #4 – 12 days 11 minutes flying time).

The Graf Zeppelin ruled the uncluttered skies like no other monarch could.

The sight of the silver ship gliding over head brought crowds of people streaming from their houses and into the streets. No other aircraft in history , with the possible exception of the Spirit of St. Louis, has been the focus of so much admiration by so many people. The Graf Zeppelin was Dr. Eckner’s crowning achievement in the concept of the zeppelin. Even though the Hindenburg and the Graf Zeppelin II would be technologically superior to the Graf Zeppelin, no other air ship would be so loved by nearly all the world.

The size of the Graf was dictated only by the inner dimensions of the construction hanger. When completed, the airship was 100 feet in diameter, and 110 feet high including the gondola bumpers, bringing her within TWO FEET of the rafters of her shed. Many new innovations were incorporated into the Graf Zeppelin during her construction in Factory Shed number II in Friedrichshafen.

The most revolutionary of the innovations was the inclusion of a new fuel system for the engines. Previously, all airships had used engines that burned either gasoline or diesel fuel. The main problem with using a liquid fuel was that as you burned off the gas or diesel, you lost weight, and as you lost weight, you had to vent off hydrogen to keep from floating up. This had been a problem that had plagued zeppelins since the beginning, but was solved in the building of the Graf. The Graf had special gas cells installed below the gas cells that housed the lifting hydrogen gas.

These new cells comprised approximately 1/3 of each bay within the ship and each cell was filled with a new fuel called “Blau gas”. Invented by Dr. Hermann Blau, this gaseous fuel would account for 750,000 cubic feet of the volume of the Graf, which had a total volume of 3,707,550 cubic feet.

The wonderful thing about the blau gas was that it weighed about as much as air and so did not hamper the ship with the weight that liquid fuel would, also,as the fuel burned in the engines of the ship, no weight was lost by its consumption and therefore no hydrogen would be vented.

Even with all her new design innovations and the excitement of the German people, the Graf Zeppelin was slowed by of lack of money. It had taken a plea to the German people by Dr. Eckener to raise most of the money to have her built and more arm twisting in the government to get enough to finish the ship, now he needed money to keep her flying.

That money was found in the hands of an American business man and airship supporter named William Randolph Hearst. Hearst would make a business deal with Dr. Eckener that would appeal to both the Zeppelin Company and Hearst’s newspaper companies. Hearst would put up the money for a global flight of the Graf Zeppelin that would be the gain her the publicity she would need to form a solid reputation for dependability and he would get exclusive U.S. rights to the story.

Dr. Eckener, having been a journalist and writer before working for the Count VonZeppelin, knew how to make the most of this publicity and did so at every opportunity.

The global flight would begin in Friedrichshafen and proceed to Lakehurst, New Jersey. Lakehurst would then mark as the official starting point of the journey as stipulated in the contract drawn up by Hearst. From Lakehurst back to Friedrichshafen, to Tokyo and then to San Francisco, Los Angeles and back to Lakehurst. Although the Graf was not the first aircraft to circle the globe, it was by far the fastest.

What took months for a British military, heavy bomber to do, with many breakdowns and hardships, the Graf did in 12 days and 11 minutes in comfort and style with a full passenger load over much previously uncharted land. The trip was a complete success and the world, particularly the U.S., caught Zeppelin Mania. Once safely moored at Lakehurst, Dr. Eckener was treated to a ticker-tape parade in his honor in New York City and the news papers would dub him the “Magellan of the Air”.

Length – 776 feet / 236.53 meters
Diameter – 100 feet / 30.48 meters
Gas Volume – 3,700,000 cu. feet / 111,000 cu. meters
Engines – Five 550 hp Maybach engines
Maximum Speed – 80 mph / 128 km/h
Lifting Gas Type – Hydrogen

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About Michael L. Grace

MICHAEL L. GRACE is part of the award winning team that created the internationally performed award winning musical SNOOPY, based on PEANUTS by Charles M. Schultz. SNOOPY continues to be one of the most produced shows (amateur & stock) in America/Worldwide and has had long running productions in New York, Los Angeles, San Francisco and in London's West End. There are over 100 individual productions every year. He has written movies for TV, including the award-winning thriller LADY KILLER, various pilots and developed screenplays for Kevin Costner and John Travolta. Besides co-writing and co-producing SNOOPY, he wrote and produced the one-man play KENNEDY. He produced P.S. YOUR CAT IS DEAD by pulitzer prize winning author James Kirkwood. He wrote the stage thriller FINAL CUT which had productions in the UK, South Africa and Australia. His one-man play, KENNEDY - THE MAN BEHIND THE MYTH, was developed for HBO and has starred Andrew Stevens, Gregory Harrison and Joseph Bottoms. He has recently been involved in European productions with CLT-UFA, Europe's leading commercial television and radio broadcaster. He wrote MOWs THE DOLL COLLECTION, THE BOTTOM LINE and LAST WITNESS for German television. While in college and graduate school he worked as a foreign correspondent for COMBAT, the famous leftwing Paris daily, and as a travel writer. He visited more than 50 countries. He struggled as an actor, then joined the enemy and entered the training program at William Morris. He became a publicist and worked for Colonel Tom Parker, Elvis Presley's manager, at Paramount and MGM. He followed with a brief stint as a story executive, working in the frantic horror genre period of the early 80s and wrote THE UNSEEN. He went onto write for episodic television and develop series pilots. He was a continuing writer on such series such as LOVE BOAT, PAPER DOLLS, and KNOTS LANDING. He developed screenplays for such major award winning directors as Nicolas Meyers, Tony Richardson and J. Lee Thompson. He has written for all the major networks and studios. He has been hired numerous times as a script doctor, doing many uncredited rewrites on TV movies and features. He is currently writing A PERSON OF INTEREST, a thriller novel, and, IT'S THE LOVE BOAT... AND HOW IT CHANGED CRUISING BY SHIP a non-fiction book dealing with how the hit TV series as a major cultural phenomenon and altered the style of cruising by ship. He was raised in Los Angeles. He attended St. Paul's, USC and the Pasadena Playhouse. He received a B.A from San Francisco State University where he majored in theatre arts and minored in creative writing. He is listed as a SFSU leading alumni. He also apprenticed at ACT - The American Conservatory Theatre. For a brief period he had intentions of becoming an Episcopal(Anglican) priest and attended seminary at Kelham Theological College in the UK. When "the calling" wasn't there, he left seminary and did graduate work at the American University of Beirut. He has guest lectured at USC, UC San Diego, McGill, Univ. of London and the Univ. of Texas on the business aspects of making a living and surviving as a writer, focusing on development hell, in the Hollywood entertainment industry. Grace is a lifetime member of the Writers Guild of America, the Dramatist Guild and former regional chairman of the Steamship Historical Society of America. He resides in Palm Springs.

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