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AUSTRALIAN Coastal Cruises aboard the MV MOONTA…

The advertisement for the Adelaide Steamship Company’s popular Gulf Trip features the MV Moonta which operated from 1931 to 1955.

The Gulf Trip was one of the most popular South Australian holiday tours for fifty years.

Moonta is the best remembered of the several ships which operated on the Gulf Trip, which in addition to passengers, carried cargo.

The ship visited Port Lincoln, Whyalla, Port Augusta and Port Pirie, leaving Port Adelaide on Saturday and returning on Friday morning. Tours would be arranged in each of the towns in addition to the relaxation and entertainment offered on board ship. Good meals and service, comfortable accommodation, deck games, swimming pool and fancy dress dances provided all the ingredients for a romantic holiday. Life partners were met, honeymoons taken and anniversaries celebrated aboard the Moonta and her sister ships Rupara and Paringa.

The Moonta was built by Burmeister & Wain of Copenhagen in Denmark in 1931. She arrived in Adelaide in November of that year and made her last run of the Gulf Trip in January 1955. At 2,693 tons gross, Moonta carried 150 passengers was 288 feet long and had a cruising speed of 12.5 knots.

Video of the MV MOONTA as the Casino Le Lydia – very interesting view of the ship during a pop concert…

THE MUCH LOVED MV MOONTA

By Reuben Goossens – be sure to visit his excellent website at: ssmaritime.com

The much loved Australian coastal passenger cargo liner, MV Moonta was built in 1931 by Burmeister & Wain shipyard in Copenhagen Denmark for the Adelaide Steamship Company.

She was known for her comfortable accommodations and public rooms and she accommodated 150 passengers.

The ship featured three lounges that included the Social Hall, Smoke Room and the ever popular Wintergarden.

In addition there was the walk around promenade deck and a spacious sports deck above…

Click here to read more at ssmaritime.com:

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MENU OF FINAL LUNCH ON RMS TITANIC TO SELL FOR $150,000 AT AUCTION.

(Left: Dr. Dodge, Mrs. Dodge and Master Dodge)

Liner and Social History:  The RMS TITANIC menu was on the table of first-class passenger Dr Washington Dodge, a prominent banker from San Francisco, who was traveling to America with his wife, Ruth, and son, Washington Junior.

A menu, dated April 14 1912, shows the luxury food offered up to first-class passengers on the last day on board the stricken ship.

Over several courses, and with 40 options on offer, the cream of Edwardian society were served a choice of such dishes as eggs Argenteuil, consomme fermier, chicken a la Maryland, galantine of chicken or grilled mutton chops.

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The Last Surviving Ocean Liners…

Cruise History: A wonderful video of THE LAST SURVIVING OCEAN LINERS…

There are currently 35 surviving classic ocean liners and cruise ships in the world.

Click here for more information and a complete history on these great surviving ships.

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On a Mission to Save Cruise Ship and Ocean Liner Décor

Peter Knego at Alang (India) in 2005 with the former RMS WINDSOR CASTLE. Photo by Kaushal Trivedi, copyright MidShipCentury.com 2005.

Peter Knego is a top authority on passenger maritime history along with being a major cruise travel journalists.

His excellent stories on ships are featured regularly on the Maritime Matters website.

But when he’s not doing all that, he is trying to save the remains of a period in maritime design that we shall not see again. And to do that he has to go to Alang, India where so many liners end their days on the beach being scrapped.



Video interview with Peter on his visits to Alang, India to buy furnishings from famous ocean liners ready to be scrapped.

Peter’s vast collection of mid-century ocean liner furnishings are a major source for top interior designers.

The New York Times recently did a lengthy story on Peter’s fabulous collection of liner furnishings… remnants of an era when cruise lines turned to artists and craftsmen to create striking midcentury interiors.

Ocean Liner History:  On a Mission to Save Cruise Ship Décor
By FRED A. BERNSTEIN – NEW YORK TIMES

MOORPARK, Calif.

The beige stucco house, on a cul-de-sac here, 45 miles northwest of downtown Los Angeles, is filled with the remnants of midcentury cruise ships, in piles so large and precarious they make the house feel like an oceangoing attic.

For the last decade, many of the great ships of the 1950s, ’60s and ’70s have made their final voyages to Alang, India, where they are sold for scrap. But as they are being picked apart in a ship-breaking operation rarely seen by outsiders, Peter Knego, a former music promoter, has been buying up their furniture and fittings, remnants of an era when cruise lines turned to artists and craftsmen to create striking midcentury interiors.

One of Peter’s many available pieces: The five section painting, “The Pharoah’s Feast”, created by Giovanni Majoli for the first class dining room of the gorgeous SS AUSONIA of 1957.

In 2008, a mural by Enrico Paulucci, rescued by Mr. Knego from the Eugenio C (a 1965 Italian ship), sold for $38,000 at auction. But most of the items he saves are far less valuable. On his Web site, midshipcentury.com, wood and chrome cocktail tables from the Holland America Line’s Standendam are $450; armless chairs from Eugenio C’s cabins are $150; and stairwell light fixtures from the Olympia, of zigzag patterned leather with star-shaped cutouts, are $400.

While the great ships of the 1920s and ’30s — Art Deco ocean liners like the Normandie and the Queen Mary — have many devotees, the ships of the postwar years are far less celebrated.

“I didn’t think this stuff was cool till six or seven years ago, so I understand it takes time for people to catch up,” Mr. Knego said.

(Left: Click on Peter’s logo to visit his website and view the vast collection of midcentury ocean liner pieces and furnishings available)

Altogether, Mr. Knego said, he has spent about half a million dollars on his seven trips to India, and another $70,000 or so shipping the spoils home to Moorpark. Friends help him unload the 40-foot-long containers and sort the contents in his backyard.

For the midcentury ships Mr. Knego loves, the beginning of the end was 9/11, which led to a decline in tourism that made many of the liners unprofitable. Now the end of the end is approaching. New provisions of the international Safety of Life at Sea (Solas) convention, effective Oct. 1, prohibit wooden construction in overnight passenger ships. That provision, Mr. Knego said, dooms most ships built before 1970, which would require such extensive refurbishment that it’s more economical to scrap them.

Mr. Knego expects several of those ships — including the Mona Lisa (formerly the Kungsholm) — to end up in Alang. After that, he said, “It will just be the ships of the ‘Love Boat’ generation — with cheap, mass-produced details.”

Click here to read more of the excellent New York Times story.

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SOCIAL AND CRUISE HISTORY: ARE THESE PHOTOS FROM SYDNEY, AUSTRALIA? TAKE A GUESS OR CONTRIBUTE. DO YOU KNOW?

Paul Swift sent us the following great photos.  The ship is departing.  Crowds, streamers and farewells.  Paul couldn’t exactly state where the ship was departing from and had no record in connection with these photos.  He suspected it was Sydney, Australia.  I consulted maritime expert Peter Knego, Maritime Matters, and he thought it was most likely Sydney.  He pointed out that P&O and Orient Line liners had black hulls during the 1920s.  I suspected that this most likely was Sydney.   Please share your opinions and comments on where these photos were taken.  Email a comment today.  Visit Peter’s own website by clicking here.



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Website of the Month: Maritime Matters

Website of the Month: Maritime Matters

Martin Cox presents a terrific website.  Cruising The Past is pleased to feature it as a our website of the month.  Martin covers maritime history along with contemporary cruising.  You will read about… Cruise ships, ocean liners, cruise ship news, shipping news, live blogs from onboard cruise ships and thousands of photographs of cruise ships and liners and other vessels. Established online since 1997, Maritime Matters presents articles on historic, preserved and contemporary cruise ships, ocean liners, and personal travel memoirs, along with links to maritime businesses, maritime museums, and cruise ship cams. New features include Peter Knego’s Sea Treks series and his deck by deck photographic series Decked! and an updated shipping news page.

Click here to visit Maritime Matters.

Martin (with Gordon Ghareeb) recently completed a wonderful book on the Los Angeles Steamship Company.

Hollywood to Honolulu, the story of the Los Angeles Steamship Company, by Martin Cox and Gordon Ghareeb

The Roaring 20s saw many institutions fall by the way side. Flappers, the Charleston and bathtub gin all arrived on the scene and, almost as quickly as they appeared, they dropped out of history. So it was with the shipping line that hailed from Southern California: the Los Angeles Steamship Company.

This once magnificent ocean going operation put its namesake harbor on the map, brought the idea of a glamorous ocean passage into the price range of the newly forming tourist population, and once and for all time branded the vision of a stately white cruise ship gliding effortlessly into a tropical Hawaiian paradise into the mind of the nation.

Martin Cox and Gordon Ghareeb have joined forces and together told a story of glamour, high finance, movie stars and gossip. It’s all here in this 282 page compendium of a world that once was and never will be again. Operated under the aegis of the Chandler publishing family of Los Angeles and the rest of their contemporary Chamber of Commerce associates, the Los Angeles Steamship Company (or LASSCO as it came to be known across the nation) brought to the world the realization that fledgling Los Angeles was coming into its own as a financial, industrial and culturally cosmopolitan crossroads of the country.

Scouring microfilm of virtually every page in the LA Times from 1921 to 1935, Ghareeb and Cox recreate a lost world of a nation riding high on the crest of a military victory from World War I juxtaposed against labor problems, political unrest and an economy gone mad. The entertaining 70,000-word text is augmented by an armada of photographs (largely from private collections) and color reproductions of LASSCO’s elaborate advertisements. This hard-covered time machine brings to life the people, the dreams, and the celebrities of the era all paraded against a backdrop of global, local and cinema-graphic history.

It took the authors fourteen years to piece the story together, configure it into a readable prose, and polish it to perfection. It is a tale as alive today as it was when it happened ninety years ago, due largely to the contribution of family members of the maritime participants depicted for the reader. Piece by piece, the story solidified and is brought to life for those fascinated by LA history, steamship lore and moviedom. This story almost vanished into the footnotes of literature because LASSCO was slowly absorbed by the juggernaut of SF-based Matson Navigation Company.

In less than ten years LASSCO managed to sink half of its passenger fleet. But public confidence continued to propel the entity forward, even to the point of surpassing the number of passengers sailing to the Hawaiian Islands by any other shipping line.

Had not the Great Depression overtaken the world, LASSCO might have very well continued on. This is a great book about a great corporate excursion into uncharted waters. The big gamble to make the Port of Los Angeles a world-class harbor (it worked, the Port of LA is the largest port in the nation today) is a fascinating blend of speculation, hope, determination and undaunted romance. Get it. Read it. And relive a world long gone…

Hollywood to Honolulu, the Story of the Los Angeles Steamship Company. Published by the Steamship Historical Society of America. Printed by Glenncannon Maritime Press 2009.  http://www.glencannon.com/steamships.html
www.glencannon.com

Bios:

Martin Cox

Growing up in Southampton, England he witness the final departure of the QUEEN MARY which left an indelible mark on the young observer. His fascination with liners grew when his former seaman Uncle handed on a large collection of ocean liner photographs. Cox grew up viewing the last gasp of the great British liners entering Southampton in the mid-70s. He completed his Fine Art Bachelor’s degree with honors at Exeter College of Art and Design in Devon before moving to London where Mr. Cox exhibited his black and white photographs. Following exhibitions in San Francisco and New York he moved to Los Angeles in 1990 and began to explore LA’s local passenger ship history. A member of the Steamship Historical Society of America since 1995 – his brief but authoritative history of LASSCO appeared in the Southern California chapter’s “Ocean Times”. Mr. Cox served as president of the Los Angeles Maritime Museum Research Society from 1997 to 1998 and maintains his own website known worldwide as “MaritimeMatters.com”. For a two year stint, Mr. Cox authored the West Coast News for SSHSA’s Steamboat Bill. Working with co-author Gordon Ghareeb, Mr. Cox produced a multi-media exhibition at the Los Angeles Maritime Museum in 2004 on the history of the Los Angeles Steamship Company, aptly entitled Hollywood to Honolulu. Mr. Cox works as a freelance photographer and maintains a commercial studio while exhibits his images in galleries in Los Angeles and elsewhere.

Gordon Ghareeb

Born and raised in the Wilmington district of the Los Angeles Harbor complex, Mr. Ghareeb grew up around and aboard the great postwar Pacific liners. His affinity for ships and the sea was instilled in him at a very early age by his father who had been a bosun’s mate in the South Pacific during World War II. Mr. Ghareeb holds a degree in English Literature and is the co-author of “The Dictionary of Nautical Literacy” published by McGraw Hill in 2001. In addition to being a contributing editor for Nautical World and Ship Aficionado magazines, his maritime work has also appeared in Nautical Collector, Professional Mariner, Ships Monthly, Maritime Matters, Steamboat Bill, and Titanic Commutator. One of the original tour guides aboard the QUEEN MARY when she opened in Long Beach, he joined the SSHSA in 1972 and has been a member of the American Petroleum Institute since 1991. He is currently Vice President of the Port of Long Beach Port Ambassadors Association. Mr. Ghareeb also actively serves aboard the s/s LANE VICTORY as a deck hand and tour guide for the Merchant Marine Veterans of World War II. With co-author Martin Cox, Mr. Ghareeb produced a multi-media exhibit at the Los Angeles Maritime Museum in 2004 extolling the history of the Los Angeles Steamship Company and aptly entitled Hollywood to Honolulu. When time permits he can be found lecturing about LASSCO and narrating guided tours of the Los Angeles and Long Beach harbors.
Among the many tales Cox and Ghareeb uncover is that of LASSCO’s dramatic first venture:

The company’s maiden voyage was a fiscal disaster, but it was a PR coup for LASSCO. Carrying freight and 262 passengers, the ship, the S.S. City of Honolulu, caught fire and sank on her return from Honolulu. Nonetheless, all of the passengers and crew were rescued. A decade after the Titanic went to the bottom, City of Honolulu’s passengers calmly stepped aboard lifeboats while a band played “Yaaka Hula Hickey Dula” and other cheerful tunes. In the lifeboats, they lunched on roast chickens. An Army transport ship the USAT Thomas eventually picked them up and headed for San Francisco. Late at night, they were within sight of the Golden Gate when the ship suddenly turned south: Harry Chandler had been on the phone frantically trying to get his connections in Washington to redirect the ship to dock in Los Angeles. And he succeeded. Instead of slipping into San Francisco, and exposing the Southern California startup as a “sham venture” to the hostile San Francisco media, the ship arrived, (delayed for daylight), to crowds and photographers, limousines for “survivors” – all the trimmings it takes to make a proper media myth – and the regional realities that followed.

At its height, the company had seven passenger vessels, among them the Harvard, Yale, City of Honolulu, Calawaii, City of Los Angeles, and Iroquois, plus a host of freighters. The Los Angeles Steamship Company perished somewhat quietly in the stock market crash of 1929, but not before it had reshaped Los Angeles.

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