THE SS MARIPOSA’S LAST CRUISE in 1977…

Cruise and liner history: Matson Lines and the Pacific Far East Lines.

The SS Mariposa on a South Pacific cruise in the 1960s.  Great video aboard one of the last American flag cruise and passengers ships crossing the Equator.  When class and style were king.

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The elegant all first class liner SS MARIPOSA – sailing in the South Pacific of Pago Pago on a Matson Line Cruise in the 1950s.

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If you can find a copy on Ebay or Amazon, rush to buy Nothing Can Go Wrong By Capt. John H. Kilpack with John D. MacDonald.

Here is a vacation post card, a valentine and a lament. Captain Kilpack was the skipper of the S. S. Mariposa when, in May 1977, it undertook one of its last long cruises – in this case a 77-day voyage from San Francisco to Leningrad and back again, with two transits of the Panama Canal and a dozen stops in between.

The former Matson Line ship would be sold later in the year to a Chinese company. These were the last two passenger liners sailing under the American flag operated by American companies. This book is wonderful… amusing and touching.

The New York Times book review follows.

November 15, 1981

NEW YORK TIMES – TRAVEL BOOKSHELF

Nothing Can Go Wrong By Capt. John H. Kilpack with John D. MacDonald. 305 pages. Harper and Row. $15.95.

Here is a vacation post card, a valentine and a lament. Captain Kilpack was the skipper of the S. S. Mariposa when, in May 1977, it undertook one of its last long cruises – in this case a 77-day voyage from San Francisco to Leningrad and back again, with two transits of the Panama Canal and a dozen stops in between. Mr. MacDonald, best known as the author of a series of detective stories that always have a color word in the title, was a passenger on that trip. Together, they have produced a story of the voyage that is amusing and eventually touching.

Each man speaks – or writes – in his own voice. In general, Mr. MacDonald, a veteran of many cruises, provides a straightforward narrative of the voyage, while Captain Kilpack adds an apposite yarn or two. The arrangement is less schizophrenic than it might be; for clarity’s sake, Captain Kilpack’s words are set in italics.

The captain is colloquial and funny, with a nice talent for dry hyperbole. He is also, as his accounts of dealing with amok passengers and officious port authorities reveal, a shrewd psychologist. He is above all a serious seaman, concerned and deft when forced to cope with such problems as sailing, against his own better judgment, from the Azores to Panama when the ship had lost most of its anchor and half its rudder.

Mr. MacDonald is crotchety. He is as impatient with officialdom as is Captain Kilpack. He is an ardent Francophobe, and he does not like the Swedes, or at any rate those of them who live in Stockholm, much better. But he is an acute observer of life aboard ship – he and his wife, Dorothy, may keep pretty much to themselves, but they both have their eyes and ears wide open – and gives good, concise information about what makes the ship work, both mechanically and socially.

Yet there is an elegiac tone to all this. Both passengers and crew know that this cruise will almost certainly be one of the last for the Mariposa. She and her sister ship, the Monterey, are the only remaining liners to sail under the American flag; should Congress not agree to extend their periods of subsidization so that they can compete economically with foreign-flag vessels, both are doomed. Even Captain Kilpack’s high spirits give way to something close to bitterness directed against the ships’ owners, the Pacific Far East Line, who, he rightly suspects, really do not much care about keeping the ships in operation. If he feels sold out, he has been – in a sort of postlude, we learn that when hearings on proposed legislation to save the ships were held shortly after the end of the Mariposa’s cruise, no one from the Pacific Far East Line bothered to attend.

”Nothing Can Go Wrong” takes its title from the assurances given the captain by the shipping company whenever anything does.

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About Michael L. Grace

During the mid-80s, Michael Grace worked as a writer on the TV Hit Series THE LOVE BOAT. He wrote many of the two hour special featuring great stars of the past, including Lana Turner, Claire Trevor, Anne Baxter, Ethel Merman, Alexis Smith, etc. The public’s access to these stars, in familiar dramas and comedies, made them want to go on a cruise. They could see the stars in an ordinary world as “regular” people. The phenomenally successful series was responsible for creating the cruise industry as we know it today. By the time he was writing for Love Boat, the great steamship companies and their liners were flying hand me down foreign flags, painted like old whores, scrapped or doing three day cruises to the Bahamas. He had sailed on over thirty ships and liners with his parents, aunt and grandmother in late 50s to early 70s. The very successful CRUISING THE PAST website has been an outgrowth of Michael’s strong interest in cruise and social history. Drawing on his own knowledge and a vast maritime and social history collection, he is able to produce a very successful website. Michael is part of the award winning team that created the internationally performed award winning musical SNOOPY, based on PEANUTS by Charles M. Schultz. He has written for television and films. Read more by going to "About" (on the above dashboard) and clicking "Editor"…

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